Dodd MFA candidate in photography Deepanjan Mukhopadhyay was recently profiled on Ain't Bad, an independent publisher of new photographic art. The feature included a detailed intereview and display of Mukhopadhyay's series of images and video, Pre/Post/Eros.

Margaret Morrison's painting, "“Flying in Formation,” will be featured at the Georgia Museum of Art. In collaboration with the Georgia Review, the Georgia
Museum of Art at the University of Georgia will present the exhibition “Storytelling: The Georgia Review's 70th Anniversary Art Retrospective” from Nov. 5 to Jan. 29.

Margaret Morrison's paintings are currently on view  at the Annmarie Sculpture Garden and Art Center in Solomons, Maryland. “Games: Marbles to Minecraft” is on display from October 28, 2016–January 16, 2017 in the Main Gallery. Annmarie is part of the Smithsonian affiliate program which was created in 1996 to offer non-profit cultural and educational organizations the opportunity to have greater access to the Smithsonian Institution's collections and resources.

Monday November, 14 5:30pm
S150

Artist Yoshua Okón will speak about his multidimensional, politically engaged practice, focusing on his most recent project, MIASMA (developed with curator Edgar Alejandro Hernandez). MIASMA explores covert operations of cultural infiltration by the United States government in Mexico. He will present some of his ongoing research, including his revisiting of the documents of art critic José Gomez Sicre, director of visual arts at the Organization of American States (OAS) in Washington D.C. and his relationship with art historian Alfred Barr.

Andre Bradley's exhibit You Can't Blame Some Body is on display in the Dodd Photography Area's Hardigree Hall on the second floor south wing through November. Images from three bodies of work are brought together in the exhibition: Bad Selections 2015, Naïve Format 2015–2016, and Dark Archives 2015. The images together assert the autobiography of the artist in a photographic counter-narrative, attempting to represent the three precarious and vulnerable bodies of one black man, the emotional, physical, and psychological.

Watercolor Splice is a collaborative project between an artist, Erin McIntosh and the experimental design lab, C-U-B-E. Through the construction of watercolor collages, participants are exploring design through analog process, working out visual ideas through multiple compositions with playful but considered attention to color, shape, pattern, and contrast.

Exhibition
Room N231, Oct 29- Nov 17, 2016

Gallery Talk
Room N231, 7-8 p.m., Nov 11, 2016

The book Ave Maria, a collaboration between Rylan Steele and Nora Wendl, was recently published by Savannah, GA-based independent press Aint–Bad. Steele is a widely exhibited photographer who teaches at Columbus State University (GA) as Associate Professor of Photography. In 2007, he received his Master of Fine Arts degree in Photography from the Lamar Dodd School of Art.

“SunKoo Yuh: Grafted Stories” opens at the Miami Dade College Museum of Art + Design (MDC Museum) on November 30 with a solo presentation of work by Professor SunKoo Yuh. Yuh teaches ceramics at the Lamar Dodd School of Art. Displaying art made over the past 12 years, the exhibition features large-format porcelain tiles and ceramic sculptures in addition to works on paper.

above image: SunKoo Yuh, Repatriations

Dodd graduate students won three of four awards at the recent 4 minutes, 33 seconds: Spotlight on Scholarship event held in conjunction with the campus Spotlight on the Arts festival this past Friday, November 4th. This third-annual competition featured both poster sessions and presentations about research in the arts conducted by University of Georgia graduate students and awarded cash prizes for research to winners.

Katie Geha, Director of the Dodd Galleries in the School of Art, will travel to Nanjing, China to take part in organizing the 3rd Annual Nanjing Arts Festival held at the new Baija Lake Museum. The exhibition, which runs from November 12, 2016 to February 12, 2017 explores the theme “Historicode: Scarcity and Supply” and features over 315 artists selected from a panel of international curators.