C-U-B-E will exhibit a body of work Seven Acting States design work by graphic designer and educator, James Chae. His work visualizes areas of instability in a world of constant change by synthesizing his research conducted within seven broad themes: energy, religion, gender, capital, race, debt, and technology. In his work, he encapsulates how the seven subjects affect the designer and the position the designer can take. His creative design outcomes include posters, flags, motion posters, handbooks, and leaflets that demonstrate his research and writing.

Congratulations to Dodd professor Stefanie Jackson, recently awarded the 2017 Anonymous Was A Woman prize of $25,000! Anonymous Was A Women recognizes extraordinary accomplishment in midcareer female artists through “no-strings attached” grants that encourage the recipient to continue to develop their work. The name of the grant program refers to a line in Virginia Woolf’s novel A Room of One’s Own and is supported by an anonymous group of donors and nominators.

Visiting Assistant Professor Courtney McClellan will have work included in the upcoming exhibition, In Practice: Another Echo, at SculptureCenter in Long Island City, New York. The exhibition will open January 28, 2018 and will be on view through April. In Practice provides new ways to discover the most innovative artwork, foster experimentation, and give participants the

Spring 2017 MFA alumna Amanda Scheutzow is featured in the winter 2018 issue of the University of Georgia Graduate School Magazine. During her graduate studies in the School of Art, Scheutzow utilized her skills as a metalsmith, sculptor, and photographer to create intricate objects, scenes and installations.

In a recent article, “The Best Art of 2017,” New York Times art critics Roberta Smith, Holland Cotter and Jason Farago each share their top ten art picks of the year.

Kyle Hittmeier’s exhibition Lead-based, Paper Tiger is on display in the Dodd Photography Area's Hardigree Hall on the second floor south wing through January 10, 2017. The show was curated by Photography Fellow Forest Kelley.