Skip to main content

Main Sub Nav

  • Prospective Students
  • Current Students
  • Faculty/Staff
  • Alumni
  • Employers
Home
  • About
    • About The School of Art
      • About
      • History
      • Mission
      • Solidarity & Justice
      • Contact Us
      • Visit the School
    • People
      • Directory
      • Lamar Dodd Professorial Chair
      • Visiting Artist & Scholar Lectures
      • Board of Advisors
      • Careers at Dodd
    • Facilities
      • Studios & Facilities
      • Art Library
      • Reserve A Space
      • The CAVE
      • Maps & Floor Plans
  • Programs
    • Undergraduate Programs
      • Overview
      • Undergraduate Admissions
      • Degree Options
      • Minors in Art & Art History
      • Studio Art Core
      • Courses
    • Graduate Programs
      • Overview
      • MA
      • MFA
      • MAEd
      • Admissions
      • PhD in Art with Emphasis in Art Education
      • PhD in Art with Emphasis in Art History
      • EdS in Art Education
      • Art Education Certificate Only Program
      • Funding & Research Support
      • Courses
    • Study Abroad & Field Study
      • Overview
      • Cortona
      • NYC Maymester Program
    • Community Programs
      • UGA Community Art School
      • UGA Summer Art Camp
      • Athens Art Book Fair
  • Events & Exhibitions
    • Speaker Series
      • Lecture Series
    • Calendars
      • Upcoming Events
      • Calendar View
      • Submit Events
      • Events Archive
    • Galleries
      • Dodd Galleries
      • Athenaeum
      • Online Exhibitions
      • Current Exhibitions
      • Upcoming Exhibitions
      • Past Exhibitions
      • Performances & Talks
      • Propose an Exhibition
  • Research
    • Programs
      • Art & Education for Social Justice Symposium
      • The Willson Center for Humanities & Arts
      • a2ru
      • Social Ecology Lab
      • UGA Arts Collaborative
      • Margie E West Award
    • Events & Galleries
      • Visiting Artist & Scholar Lectures
      • Research Days
      • Dodd Galleries
      • The Athenaeum
    • Research & People
      • Lamar Dodd Professional Chair
      • Dodd Interdisciplinary Fellows
      • Graduate Research
  • News
    • All News
    • Student News
    • Graduate News
    • Faculty & Staff News
    • Alumni News
    • Submit News
  • Give
  • Mobile Menu Extras
    • News
    • Events
    • Give

    Search form

    social_media

Esoteric Buddhism in the Matrix of Medieval India: Dr. Ronald Davidson

Willson Center Distinguished Speaker Series
image
Event Date
October 28, 2021 5:30 pm - October 28, 2021 6:45 pm
Add to Calendar 2021-10-28 17:30:00 2021-10-28 18:45:00 Esoteric Buddhism in the Matrix of Medieval India: Dr. Ronald Davidson Esoteric Buddhism emerged between the fall of the Gupta-Vākāṭaka hegemony (ca 550 CE) up to the rise of the three great powers (Pāla, Rāṣṭṛakūṭa, Pratīhāra) in the mid eighth century, becoming Indian Buddhism’s richest ritual expression. Scholars of Śaivism have somewhat prematurely dubbed the entire early medieval period (ca 550-1200 CE) the ‘Śaiva Age,’ but that designation is predominantly true with respect to royal affiliation, less so for the culture at large as may be seen in the donative inscriptions and popular literature, which do not reflect Śaiva cultural dominance in the manner portrayed. Similarly, the depiction of later Buddhism as ‘brahmanized’ has inaccurately represented the selective uptake and modification of brahmanical rituals or the sociology of Buddhist engagement. Rather, this was the age of internecine warfare at the local and regional levels, with a dramatic erosion of social controls. The belligerence of the period precipitated the decline of national trading cooperatives, the rise of regional networks, and the emergence of marginalized groups and ritual systems. Within this era, Buddhist authors and institutions operated with bewilderingly complex resources—intellectual, ritual, artistic, social, linguistic, etc.—that revealed a spectrum of engagements, from accommodation to resistance and everything in between. Esoteric Buddhist myths and rituals reflect to some extent these developments, so that the bodhisattva as sārthavāha (caravan master) becomes replaced by the bodhisattva as vidyādhara (sorcerer), signaling the change in models of agency from the mercantile to the magical. The earliest corpora of literature—that of the Amoghapāśa on one hand and the Uṣṇīṣa texts on the other—were constructed on the earlier dhāraṇī texts of the fifth and sixth centuries, as seen in the Chinese translations from the Liáng Dynasty to the Táng. Yet both the Uṣṇīṣa and Amoghapāśa materials reveal further ritual directions that will be more robustly expressed in the eighth and ninth centuries, with the development of the Vajroṣṇīṣa canon and the Yoganiruttara and Yoginī tantras. These included aspects of Śaivism and Vaiṣṇavism, to be sure, but also rituals from local spirit cults, lineages of magicians, gṛhya rituals from domestic brahmanical priests, material from the solar cult, to name but the most significant sources. For esoteric Buddhism, the most important early region was that of the Vārāṇasī- Pātaliputra-Gāyā triangle, with its multiplicity of Buddhist sites and intermittent institutional support. Other centers, however, quickly arose—each with its own rituals and lore—and by the end of the eighth century most of North India had developed independent centers of esoteric practice, spreading thence to Śrī Laṅka and Śrīvijaya, as well as to Tibet, Nepal and East Asia. The speed and urgency of esoteric missionary activity in South and Southeast Asia are markers of a new dynamic. Lamar Dodd School of Art | S150 LAMAR DODD SCHOOL OF ART doddcomm@uga.edu America/New_York public
Location
Lamar Dodd School of Art | S150
Log in to post comments
Speaker Name
Dr. Ronald Davidson
University or Organization
Fairfield University

Esoteric Buddhism emerged between the fall of the Gupta-Vākāṭaka hegemony (ca 550 CE) up to the rise of the three great powers (Pāla, Rāṣṭṛakūṭa, Pratīhāra) in the mid eighth century, becoming Indian Buddhism’s richest ritual expression. Scholars of Śaivism have somewhat prematurely dubbed the entire early medieval period (ca 550-1200 CE) the ‘Śaiva Age,’ but that designation is predominantly true with respect to royal affiliation, less so for the culture at large as may be seen in the donative inscriptions and popular literature, which do not reflect Śaiva cultural dominance in the manner portrayed. Similarly, the depiction of later Buddhism as ‘brahmanized’ has inaccurately represented the selective uptake and modification of brahmanical rituals or the sociology of Buddhist engagement. Rather, this was the age of internecine warfare at the local and regional levels, with a dramatic erosion of social controls. The belligerence of the period precipitated the decline of national trading cooperatives, the rise of regional networks, and the emergence of marginalized groups and ritual systems. Within this era, Buddhist authors and institutions operated with bewilderingly complex resources—intellectual, ritual, artistic, social, linguistic, etc.—that revealed a spectrum of engagements, from accommodation to resistance and everything in between.
Esoteric Buddhist myths and rituals reflect to some extent these developments, so that the bodhisattva as sārthavāha (caravan master) becomes replaced by the bodhisattva as vidyādhara (sorcerer), signaling the change in models of agency from the mercantile to the magical. The earliest corpora of literature—that of the Amoghapāśa on one hand and the Uṣṇīṣa texts on the other—were constructed on the earlier dhāraṇī texts of the fifth and sixth centuries, as seen in the Chinese translations from the Liáng Dynasty to the Táng. Yet both the Uṣṇīṣa and Amoghapāśa materials reveal further ritual directions that will be more robustly expressed in the eighth and ninth centuries, with the development of the Vajroṣṇīṣa canon and the Yoganiruttara and Yoginī tantras. These included aspects of Śaivism and Vaiṣṇavism, to be sure, but also rituals from local spirit cults, lineages of magicians, gṛhya rituals from domestic brahmanical priests, material from the solar cult, to name but the most significant sources.
For esoteric Buddhism, the most important early region was that of the Vārāṇasī- Pātaliputra-Gāyā triangle, with its multiplicity of Buddhist sites and intermittent institutional support. Other centers, however, quickly arose—each with its own rituals and lore—and by the end of the eighth century most of North India had developed independent centers of esoteric practice, spreading thence to Śrī Laṅka and Śrīvijaya, as well as to Tibet, Nepal and East Asia. The speed and urgency of esoteric missionary activity in South and Southeast Asia are markers of a new dynamic.

pr image

Academic Area
Art History
Type of Event
Lectures

Footer Menu 1

  • Academics
  • UNDERGRADUATE PROGRAMS
  • Degree Options
  • Studio Art Core
  • GRADUATE PROGRAMS
    • MA
    • MFA
    • MAEd
    • PhD Art Education
    • PhD Art History
    • Funding & Research Support
  • Admissions
  • Studies Abroad & Field Study

Footer Menu 2

  • Galleries
    • Current Exhibitons
    • Past Exhibitions
    • Performances & Talks
    • Propose an Exhibitions
    • BFA Exhibition Guidelines

Footer Meun 4

  • Faculty & Staff
    • Faculty & Staff Resources
    • Curriculum Policies
    • Forms & Links
    • Dodd Studio Support
  • Graduate Students
  • Alumni
    • Create an Alumni Profile
    • Alumni Opportunities

Footer 3

  • Dodd Resources
  • Equipment Checkout
    • Open Access Fabrication Labs
    • Dodd Studio Support
  • Student Resources
    • Scholarships
  • Academic Advising
    • Degree Requirements
    • Minor Requirements
    • Area Portfolio Review
    • Internship Policy & Course
  • Student Opportunities
    • Submit an Opportunity for Students

Footer Menu 5

  • Facilities
    • Request a Meeting Space
  • Studio & Classroom Spaces
    • Thomas Street Art Complex
    • Art Library
    • Open Access Fabrication Labs
    • Maps & Floor Plans
  • Research
    • Visit the School
    • Board of Visitors
    • Visiting Artists & Scholars
    • Work at the Dodd
  • View Calendar

Footer Submit Menu

  • ALL FORMS AND LINKS
  • Event/Calendar Submission
  • Instructor Override Request Form
  • Multi-Student Override Request Form
  • Website Update

Franklin_A&S-FS-CW-(1)-websize.png

Lamar Dodd School of Art
University of Georgia
270 River Road
Athens, GA 30602

706.542.1511
 

CONTACT US

Privacy Policy | © 2020 Lamar Dodd School of Art, University of Georgia. All rights reserved.

Login  |  UGA Master Calendar  |  www.uga.edu                          website feedback