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2024 MFA thesis exhibition “Sharpening a Screw” opens at the Athenaeum

Lindsey Kennedy, “A Chaos of Hard Clay,” 2024, archival pigment print,  2024 MFA candidate, Lamar Dodd School of Art, University of Georgia

Lindsey Kennedy, “A Chaos of Hard Clay,” 2024, archival pigment print,  2024 MFA candidate, Lamar Dodd School of Art, University of Georgia

Last Updated
September 20, 2025

Published
April 9, 2024

Category
Graduate Student News

Tags
mfa

This spring, nine students earning their Master’s in Fine Arts (MFA) at the Lamar Dodd School of Art present Sharpening a Screw, a thesis exhibition at the Athenaeum opening to the public on April 12, 2024 from 6 – 8 pm. The exhibition will be on view from April 12 – May 9. Participating artists will discuss their work at the Athenaeum during the upcoming event MFA Speaks on April 24 at 6 pm.

Sharpening a Screw resists easy resolutions. The works on view signal the value of iteration, returning to a thought, a question, or a method to look for the unexpected. Each of the nine MFA students from the Lamar Dodd School of Art use materials as fasteners, presenting a constellation of themes from which to step back and look anew.

Taken together, the artists offer both a gentle sincerity and tongue-in-cheek bite. Where Lindsey Kennedy drills into the pictorial doom of climate dread, Martin Chamberlain and Alejandro Ramirez pull back with a wry grin, presenting witty objects that are convincing yet playful. Kit Rutter illustrates a story of perseverance and care that breaks through paper pulp thickets, while Dylan Lewis crafts a narrative in which sewing and alchemy meet. Yoon Hwang’s drawn and pinched marks imbue clay with all the history that hands collect, as Katie Ford and Ashley Wingo’s sculptural assemblages magnetize traces of memory and identity into form.

Work by MFA candidate Ashley Wingo, 2024
Work by MFA candidate Ashley Wingo, 2024

The exhibition nods towards the compulsion that often drives these creative processes. The artists are as much compelled by the cultural relevance of their subject matter as they are by the desire to scratch an insatiable itch—to wade through the fog of making until meaning emerges. Viewers are invited to consider the works in the exhibition as meditations in which the artists refine the poetry of their materials, in which the screw is sharpened time and again to see what holds.

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