The Notre-Dame Project is an initiative that began in 2021, when Handshouse Studio led a team of experts and students in Washington, DC to begin reconstructing one of the trusses that once supported the great cathedral's roof, which was destroyed by fire in 2019.
Onodera & Pearse: Contrasts and Correlations features the work of two artists who share backgrounds in craft while embracing sculptural applications of metal, paper, gravity, and motion.
A new exhibition of paintings by Amelia Briggs will open on Friday January 12 from in Foyer, an artist run gallery space curated by Lamar Dodd School of Art Instructor Jaime Bull.
J Taran Diamond (MFA ’23) will present the capstone lecture and a breakout session workshop at East Carolina University's 2024 Material Topics Symposium.
Art history student Gabriela Diaz-Jones penned an essay that was recently published in The Classic, the Franklin College of Arts and Sciences Writing Intensive Program’s journal of undergraduate writing and research, titled “Baroque Women in Marble as Intimate or Intricate.”
Susan Sherman (ABJ ’82) is the chair and co-founder of the Saint Louis Fashion Fund, a 501(c)(3) nonprofit which seeks to bring back St. Louis’s fashion industry, once second only to New York’s Garment District. The group, which celebrates its 10th anniversary this year, uplifts young designers and emerging brands and promotes fashion education and outreach in the city.
On Nov. 14, students representing programs ranging from dance to art history to language and literacy education will gather for the annual 4 Minutes, 33 Seconds Contest to highlight their work during a live competitive showcase. The event, from 4-6 p.m. at the Athenaeum on Broad Street, is part of the University of Georgia’s monthlong Spotlight on the Arts festival.
The catalogue for the 2023 thesis exhibition re:(de)construction — shown in May 2023 at the school's downtown contemporary art gallery the Athenaeum — spotlights eleven MFA students, ten art history graduate students, and includes a guest essay by Director and Curator of the ICA Chattanooga Rachel Waldrop.
