The Dodd Galleries at the University of Georgia is pleased to announce Hong Hong: Inland, our 2024 Margie E. West Prize recipient exhibition in which Dodd alumna, Hong Hong MFA '14, examines the body as a closed ecological system, where various materials continually interact to sustain and regenerate itself.
Katie Geha, director and chief curator of the galleries at the University of Georgia’s Lamar Dodd School of Art, has accepted the position of director at the University of Wisconsin-Madison’s Tandem Press, a premier publisher of fine art prints affiliated with the university’s art department in their School of Education.
Georgia Tech Professor Mark Leibert visits the Lamar Dodd School of Art this week to discuss his collaborative process employing AI for generating concepts in painting, time-based works, installation, and more.
Truth Told Slant is an exhibition currently on view at the High Museum of Art in Atlanta that “examines a recent shift in how photographers have taken on the challenge of making meaningful images of the world around them.” The show spotlights stylistic, expressive documentary photography by five practicing artists in the Southeast.
This spring, nine students earning their Master's in Fine Arts (MFA) at the Lamar Dodd School of Art present Sharpening a Screw, a thesis exhibition at the Athenaeum opening to the public on April 12, 2024 from 6 - 8 pm.
Visiting artist and inclusive AI advocate Stephanie Dinkins delivers a public lecture on her use of emerging technologies and artificial intelligence to probe their impact on communities of color and advance “ecosystems based on care and social equity.”
This summer, the Lamar Dodd School of Art launches the UGA Summer Art Camp, an immersive four-day journey into drawing, painting, printmaking, and photography. Tailored to high school students with a passion for the arts, this camp offers the opportunity to engage with UGA professors, graduate students, and fellow Georgia high school students.
The Notre-Dame Project is an initiative that began in 2021, when Handshouse Studio led a team of experts and students in Washington, DC to begin reconstructing one of the trusses that once supported the great cathedral's roof, which was destroyed by fire in 2019.
