Stephanie Sutton presents new work from her ongoing investigation of subjectivity and its relationship to the lens. Centrally depicted in Music Videos, reflective surfaces are employed as surrogates for human companionship. The distance between performer and their mirrored image becomes distorted as they respond to scrutiny and flirtation, ultimately revealing the isolation of an exchange that...
Stephanie Sutton presents new work from her ongoing investigation of subjectivity and its relationship to the lens. Centrally depicted in Music Videos, reflective surfaces are employed as surrogates for human companionship. The distance between performer and their mirrored image becomes distorted as they respond to scrutiny and flirtation, ultimately revealing the isolation of an exchange that attempts to attract connection. On view until August 30th.
Stephanie Sutton’s work utilizes photography, video installation, sculpture, and performance to probe transformative notions of discipline and pleasure. Employing herself as subject, she borrows from conventions of ritual and labor to embody ideas of self-control and complicate assumptions of the fat body. She received her MFA from the University of Georgia in 2017.
